I have actually made a proper start on my C&G work; written and created the spider diagram, statement and visual sheet, AND submitted them. A day later, (a whole day, what was she doing?!!), Sian had sent me back some incredibly helpful suggestions and feedback. My dh, friends and I could not believe how fast she turned it round.
For any other 'just starting C&G diploma bod', this is the visual sheet I sent:
I was not at all sure that this is what Sian actually wanted, but it seems I got it right after all. Note to self, 'just do it'.
I've been and got a couple of note/sketch books, and now have to start putting together a back up of design sources and ideas, little thumbnail sketches of bits of buildings that could be worked up into design ideas.
dh has got into the mood beautifully and has started taking photos of 'interesting' looking houses and buildings as he goes around. There is a slight p.o.v. gap though, as I also like ruined buildings, and so far he's just photographing immaculate buildings. but its early days yet.
I am planning a trip to a couple of kuwaits only historic buildings - most got bulldozed in the 60s when they realised they had lots of money and could build tower blocks. what they have left is good though, so I am looking forward to it. will post stuff when I've done it.
I am a member of FiberArt for a Cause, and their next fundraiser for the American Cancer Society is an online reverse auction. Virginia Spiegel has put this flyer out for members to include on their blogs and websites, follow the link and take a look at the sight. here goes...
Fiberart For A Cause, fundraising for the American Cancer Society, is back
in action with the 2007 Invitational Reverse Auction.
http://www.virginia spiegel.com/ NewFiles/ ACS/ReverseAucti on2007.html
Featuring fiber art donated by Jane Davila, Jamie Fingal, Mary Beth Frezon,
Lynn Krawczyk, Heidi Miracle-McMahill, Carol Moore, Scott Murkin,
Cynthia St. Charles, Sarah Ann Smith and Elin Waterston, the Reverse Auction
runs March 12-16.
Artwork begins at a fixed price and is reduced by a fixed percentage each
day. Wait too long and the artwork you want will be gone. 100% of the
proceeds are donated to the American Cancer Society.
Monday, February 12, 2007
Friday, February 9, 2007
the fabric souk
yesterday, Thursday, was our Saturday equivalent. My daughter went to a karate camp for the morning, and I dragged long suffering dh out to the fabric souk with camera to try and capture images of the souk for you all. I found it almost impossible to believe when I saw it for the first time, and these piccies can only give a taste of what there is, but hope it helps you know what I'm talking about.
from the outside the buildings are not pretty. the inside is not exactly state of the art either. there are 5 different buildings, plus lots of other odds and sods, but every single one of the shops you can see in the first picture is a fabric, or notions or beads, or tassels etc type shop. now repeat that in five + buildings.
these are a couple of halls inside one of the buildings, ground floor. upstairs are all the tailors, seamstresses, upholsterers etc working in the most minute amount of space. One thing you may notice is a distinct lack of colour or pattern coordination in any of the displays. they actually seem to prefer to combine as many patterns and colours as possible, in displays and in their clothes, although the latter are mostly hidden under the black abbayas.
these two are taken inside one shop. its actually one of the larger shops, alot of them are no more than 10' x 12'. they tend to have batches of shops together, so for example all the tassel shops are next to each other, the ribbon shops are in a row, and so on.
a tassel shop and the window of a ribbon and bead shop. don't know if you can tell, but all of these ribbons are embroidered with beads, I just like to stand and look at them, but then I'm a little weird like that.
I would like to say that we went first thing in the morning to take these, and normally its buzzing in these buildings.
from the outside the buildings are not pretty. the inside is not exactly state of the art either. there are 5 different buildings, plus lots of other odds and sods, but every single one of the shops you can see in the first picture is a fabric, or notions or beads, or tassels etc type shop. now repeat that in five + buildings.
these are a couple of halls inside one of the buildings, ground floor. upstairs are all the tailors, seamstresses, upholsterers etc working in the most minute amount of space. One thing you may notice is a distinct lack of colour or pattern coordination in any of the displays. they actually seem to prefer to combine as many patterns and colours as possible, in displays and in their clothes, although the latter are mostly hidden under the black abbayas.
these two are taken inside one shop. its actually one of the larger shops, alot of them are no more than 10' x 12'. they tend to have batches of shops together, so for example all the tassel shops are next to each other, the ribbon shops are in a row, and so on.
a tassel shop and the window of a ribbon and bead shop. don't know if you can tell, but all of these ribbons are embroidered with beads, I just like to stand and look at them, but then I'm a little weird like that.
I would like to say that we went first thing in the morning to take these, and normally its buzzing in these buildings.
Monday, February 5, 2007
finding the focus
First of all, I'd like to say thank you to everyone who has posted comments so far. It's really great to know that a) people are reading it, and b) they like my work. I have still been finding it really difficult to get my head around starting properly on my C&G work. Its not like I can't do a spider diagram and write an introduction, which has got to be the easiest get you in exercise known to man. Pleased to say I have now made a small start and done them in rough, and now just have to make the visual, rather than verbal, brainstorming sheet. It will be good to be able to get them to Sian at last.
In my defence, I have been busy building my business, and I've taken on running the membership for the British ladies society here in Kuwait, which are both ongoing works in progress. I have also been teaching a group of friends to make fairy shoes. I posted a picture of a pair I made on a day with Annette Emms, a lovely and talented lady. They all decided they wanted to have a go when they saw mine in the flesh.
I have made a pair for a friend to say well done for doing a presentation she is dreading doing. I made a mini patchwork fabric first, so that they are multi coloured, so I have done some textile related work.
Winging its way towards me as I write are a couple of packages of synthetic felt, which I cannot get in Kuwait. Proper wool felt by the mile, but no synthetic, which is strange as they want to sell me so many other synthetic fabrics you'd think they'd have the felt. I'm looking forward to this arriving so I can have a play for the Jan/Feb challenge in the Textile Challenges group. One of the packages will have some colours appropriate to my research project, so may be able to use it for samples. See, I am thinking about the course, even if not actually doing very much of it.
Kuwait is having its Spring at the moment. The temperature is now getting to a lovely 20 degrees or so, there are plants everywhere, and when you are surrounded by sand and sand coloured buildings all the time, the colour is great. I could not believe how cold it got over November, December and January, so this is really welcome. I don't do cold. Am I too hopeful that the Spring will get me going again? Hope not, but any suggestions for breaking the deadlock on starting and really getting going would be gratefully received.
In my defence, I have been busy building my business, and I've taken on running the membership for the British ladies society here in Kuwait, which are both ongoing works in progress. I have also been teaching a group of friends to make fairy shoes. I posted a picture of a pair I made on a day with Annette Emms, a lovely and talented lady. They all decided they wanted to have a go when they saw mine in the flesh.
I have made a pair for a friend to say well done for doing a presentation she is dreading doing. I made a mini patchwork fabric first, so that they are multi coloured, so I have done some textile related work.
Winging its way towards me as I write are a couple of packages of synthetic felt, which I cannot get in Kuwait. Proper wool felt by the mile, but no synthetic, which is strange as they want to sell me so many other synthetic fabrics you'd think they'd have the felt. I'm looking forward to this arriving so I can have a play for the Jan/Feb challenge in the Textile Challenges group. One of the packages will have some colours appropriate to my research project, so may be able to use it for samples. See, I am thinking about the course, even if not actually doing very much of it.
Kuwait is having its Spring at the moment. The temperature is now getting to a lovely 20 degrees or so, there are plants everywhere, and when you are surrounded by sand and sand coloured buildings all the time, the colour is great. I could not believe how cold it got over November, December and January, so this is really welcome. I don't do cold. Am I too hopeful that the Spring will get me going again? Hope not, but any suggestions for breaking the deadlock on starting and really getting going would be gratefully received.
Labels:
City and Guilds,
coursework,
felt,
textile challenges
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