major displacement activity

I really must start practising my grovelling, as I can feel a mega session coming on with Sian! No more progress on the C&G front at all.
But, I have made some atc's for a swap I signed up for ages ago, and some postcards ditto. So, I haven't done nothing, but I still feel guilty that its not really what I should have been doing.

































these were fun, the theme was flower fabric and beads.












I must really get my stuff together and make something for the textile challenge group March challenge, which is a theme of doors/windows, using fibre, thread, paint and found objects. there are some lovely things already submitted. we decided as a group to give everyone the same theme and the same ingredients, and see how they worked out. like I say, very interesting so far.

exciting day

I had a really great day yesterday, with one minor exception, visiting the dentist, but we won't dwell on that. It started with a Kuwait Textile Arts Association quilting group meeting. I am not a quilter, but it seemed like a good group to join and a great opportunity to find out more about quilting. good decision. I've been going now for 6 months, and have picked up so many little tips and ideas along the way.
Yesterdays meeting was my moment. I was asked to do a talk and show and tell about my C&G Certificate course in Embroidery, to give all the quilters a different slant on things. I am not a teacher or a public speaker, so I found it quite daunting, but once I got going I really enjoyed myself. Afterwards, one lady came and said I should have had the whole morning, not just half and hour, another said I should do a presentation to the main KTAA group at their monthly evening meeting, and a third asked if I would do a workshop on design techniques. Flattered? Swollen head?? Floating 3 feet off the ground??? All of those and more. I was just glad that folks seemed to like the presentation, and that I got through it ok, but then to have all that come at me was just amazing. I have also received a couple of emails from people saying how much they enjoyed it, and one lady asking about the distance learning courses so that she could explore the possibility of having a go herself. Result, wouldn't you say?
I also made the decision to buy a new sewing machine. One of the KTAA members won a machine at last years show, which she has not even taken out of the box. She decided to sell it and give the money to the Indian government Tsunami fund, which is still helping families rebuild their lives. So any way, now its mine, yey!! Its a Bernina Aurora 430. Any tips and advice gratefully received. I had a little play yesterday afternoon, and I think I am going to like this very much. My old machine, a 25+ year old New Home, (now Janome) has been fabulous, but doesn't seem to like doing the free machine stuff anymore, and always seems to have to think about dropping the feed or raising them again, which in not much good if you are in mid work. I will be getting the embellisher foot for it which is great as I couldn't justify buying the embellisher machine. One of the best parts of this for me though is that I paid for it with my earnings from my own business which I set up in December. I am a holistic massage therapist, and have been slowly building the business since Christmas. It gave me a lot of pleasure to realise that I had earnt enough to pay for the machine outright, without having to raid the joint bank account. Before getting remarried and moving out here last summer, I was a single mum/full time student for 3 years, and money was very tight. I guess this is my first reward/payback for all that hard work. And now to go and have another play.........happy dancing and big smiles all round!

At last...loud fanfare.... I've started

I have actually made a proper start on my C&G work; written and created the spider diagram, statement and visual sheet, AND submitted them. A day later, (a whole day, what was she doing?!!), Sian had sent me back some incredibly helpful suggestions and feedback. My dh, friends and I could not believe how fast she turned it round.

For any other 'just starting C&G diploma bod', this is the visual sheet I sent:

I was not at all sure that this is what Sian actually wanted, but it seems I got it right after all. Note to self, 'just do it'.

I've been and got a couple of note/sketch books, and now have to start putting together a back up of design sources and ideas, little thumbnail sketches of bits of buildings that could be worked up into design ideas.

dh has got into the mood beautifully and has started taking photos of 'interesting' looking houses and buildings as he goes around. There is a slight p.o.v. gap though, as I also like ruined buildings, and so far he's just photographing immaculate buildings. but its early days yet.

I am planning a trip to a couple of kuwaits only historic buildings - most got bulldozed in the 60s when they realised they had lots of money and could build tower blocks. what they have left is good though, so I am looking forward to it. will post stuff when I've done it.

I am a member of FiberArt for a Cause, and their next fundraiser for the American Cancer Society is an online reverse auction. Virginia Spiegel has put this flyer out for members to include on their blogs and websites, follow the link and take a look at the sight. here goes...

Fiberart For A Cause, fundraising for the American Cancer Society, is back
in action with the 2007 Invitational Reverse Auction.

http://www.virginia spiegel.com/ NewFiles/ ACS/ReverseAucti on2007.html

Featuring fiber art donated by Jane Davila, Jamie Fingal, Mary Beth Frezon,
Lynn Krawczyk, Heidi Miracle-McMahill, Carol Moore, Scott Murkin,
Cynthia St. Charles, Sarah Ann Smith and Elin Waterston, the Reverse Auction
runs March 12-16.

Artwork begins at a fixed price and is reduced by a fixed percentage each
day. Wait too long and the artwork you want will be gone. 100% of the
proceeds are donated to the American Cancer Society.

the fabric souk

yesterday, Thursday, was our Saturday equivalent. My daughter went to a karate camp for the morning, and I dragged long suffering dh out to the fabric souk with camera to try and capture images of the souk for you all. I found it almost impossible to believe when I saw it for the first time, and these piccies can only give a taste of what there is, but hope it helps you know what I'm talking about.

from the outside the buildings are not pretty. the inside is not exactly state of the art either. there are 5 different buildings, plus lots of other odds and sods, but every single one of the shops you can see in the first picture is a fabric, or notions or beads, or tassels etc type shop. now repeat that in five + buildings.

















these are a couple of halls inside one of the buildings, ground floor. upstairs are all the tailors, seamstresses, upholsterers etc working in the most minute amount of space. One thing you may notice is a distinct lack of colour or pattern coordination in any of the displays. they actually seem to prefer to combine as many patterns and colours as possible, in displays and in their clothes, although the latter are mostly hidden under the black abbayas.














these two are taken inside one shop. its actually one of the larger shops, alot of them are no more than 10' x 12'. they tend to have batches of shops together, so for example all the tassel shops are next to each other, the ribbon shops are in a row, and so on.














a tassel shop and the window of a ribbon and bead shop. don't know if you can tell, but all of these ribbons are embroidered with beads, I just like to stand and look at them, but then I'm a little weird like that.
I would like to say that we went first thing in the morning to take these, and normally its buzzing in these buildings.

finding the focus

First of all, I'd like to say thank you to everyone who has posted comments so far. It's really great to know that a) people are reading it, and b) they like my work. I have still been finding it really difficult to get my head around starting properly on my C&G work. Its not like I can't do a spider diagram and write an introduction, which has got to be the easiest get you in exercise known to man. Pleased to say I have now made a small start and done them in rough, and now just have to make the visual, rather than verbal, brainstorming sheet. It will be good to be able to get them to Sian at last.
In my defence, I have been busy building my business, and I've taken on running the membership for the British ladies society here in Kuwait, which are both ongoing works in progress. I have also been teaching a group of friends to make fairy shoes. I posted a picture of a pair I made on a day with Annette Emms, a lovely and talented lady. They all decided they wanted to have a go when they saw mine in the flesh.
I have made a pair for a friend to say well done for doing a presentation she is dreading doing. I made a mini patchwork fabric first, so that they are multi coloured, so I have done some textile related work.


Winging its way towards me as I write are a couple of packages of synthetic felt, which I cannot get in Kuwait. Proper wool felt by the mile, but no synthetic, which is strange as they want to sell me so many other synthetic fabrics you'd think they'd have the felt. I'm looking forward to this arriving so I can have a play for the Jan/Feb challenge in the Textile Challenges group. One of the packages will have some colours appropriate to my research project, so may be able to use it for samples. See, I am thinking about the course, even if not actually doing very much of it.

Kuwait is having its Spring at the moment. The temperature is now getting to a lovely 20 degrees or so, there are plants everywhere, and when you are surrounded by sand and sand coloured buildings all the time, the colour is great. I could not believe how cold it got over November, December and January, so this is really welcome. I don't do cold. Am I too hopeful that the Spring will get me going again? Hope not, but any suggestions for breaking the deadlock on starting and really getting going would be gratefully received.

I hate to admit that I still haven't started my C&G coursework, but I have been working on some trading cards I need to get out, and finishing up some fibre postcards ditto. I have also been leading a textile group here in kuwait.
I did tidy my studio space, which was the first thing on my to do list, ready to start coursework. Now if they could just offer a course in displacement activities, I would be a straight A honour student!!!
dh has kindly taken some piccies of the studio, although he said they are cheating because it is NEVER normally this tidy, and I'm giving you all a completely false impression of how I work - or not, as the case may be! anyway, here's a couple for you. Its down in the basement, with a door out to a patio where my daughter has a mini pool in the summer. big windows so plenty of natural light, and water outside not in, which is usually ok.














the pin boards in the background are fibre postcards from art2mail and fiberartists international the cupboards underneath are full of fabric scrap bags, the dresser on the right has boxes of threads, books, stash, and assorted stuff.
and this last one is, of course, the artist at work.
Out this evening to a KTAA meeting, a talk on the textiles and costumes of Oman, which should be really good, if others I have been to are anything to go by.
Tomorrow, I start C&G, promise....

c&g certificate work

I think that I have finally figured out how to post photos onto this blog, and have now got the ones of my c&g certificate projects to show you.
First up is the three dimensional piece. Based on Faberge eggs and my Phoenix design board. I made the phoenix feather on water soluble, which was really easy and great fun. the egg was a made fabric from scraps, threads, angelina, in flame colours, dark red at the bottom going up to orangey yellow at the top with fine wires stitched in on the top, stitched and stitched til it was firm enough to do something with. then joined to make the shape, and lined with some black sparkly fabric the same weight as fine interlining, ie light, that I got from a florist. the stand is not too successful as its just twisted wires, but not really strong enough to take the very little weight of the egg.

Whoops, this is completely out of order and should have come at the end. Its a pair of fairy shoes I made on a fabulous one day course with Annette Emms. We had to make them for a particular fairy and as you can plainly see they are for the sunflower fairy. My daughter had grown a sunflower from seed and brought it home from school, and these were for its fairy. No, she wasn't convinced either, but the lads at the pub humoured me! I have since made another pair of 'leopard skin' fairy shoes for a wild child fairy I know. They are great fun to make and everyone loves them.

Ok, back on track again. This one is my panel which was inspired by an amazing trip to Egypt. The whole thing is hand stitched on linen, with most of the stitching being couched, or made to look as though it was couched. The middle panel is 'or nue', a gold work technique, which I loved, but probably couldn't do now without a mega magnifier. I framed it in a black hinged tryptich type frame, which I had made at the local joiners and painted with blackboard paint. I wanted to have the effect of opening something completely plain and dark and finding this amazing brightly coloured panel. the duck and the sun near the bottom are my autograph, the duck being sa and the sun ra, and you read it left to right cos thats the direction the duck is facing. honest!
When the doors are closed, they are 'sealed' with this. Its a copy of the centre panel, made on coffee died pelmet vilene machine stitched, then backed with a second piece of dyed vilene, zigzagged round the edge and foiled with an old used piece of foil so that it looks worn and old. the thread is bundles of black and gold machine thread, chosen to look as though it had been gold thread that got old/tarnished/worn. the black bit in the bottom left corner is just where the stitching was too close together and the vilene fell out, so I coloured it black and hope/think it adds to the aged look.


This one is an extended sample. I got the idea when one dear friend, (male) after asking me after I had explained the course whether I meant 'like knitting', then told me about his mum's old pincusion - one of the old chinese ones with little china men with pigtails around the edge. Don't worry if you are all too young to know what the heck I am talking about, just ignore that bit. Anyway, I decided that if all else failed, I could always make a pincushion, and after a couple of glasses of wine that turned into a cushion made of pins, then into this. Alas dear reader, I confess, this was made in a state of mild inebriation. Its all metal;, metal mesh fabric, pins, washers and silver pan scourers unravelled.


This is my accessory, a muff to be used by the bride at a winter wedding instead of her having a bouquet of flowers. I saw the hedges full of old mans beard on the way to school with my sons one morning, and loved the way it was all intertwined, and that the leaves were almost heart shaped. Its velvet, with machine and hand couched threads, the leaves are black net, made on water soluble so that the residue when I rinsed them meant I could shape them before they dried. there is a machine wrapped twisted cord at either end, and a hand made tassel which you can only see the beaded head of in the bottom right of the picture.

And finally, this is my hanging. Its based on my daughter Mary's drawings which I had saved from when she was drawing tadpole people aged1 1/2 or so until she was in reception class at school, and the nursery rhyme Mary Mary quite contrary. This one I absolutely loved doing, sorry its not such a brilliant picture, but the close up at the bottom will give you a better idea. A mixture of machine and hand stitch, all from her drawings and doodling, on individual pieces of cloth, pieced together. The borders are quilted, and have a brilliant story. We had a stand in tutor for a day at college, who suggested that a quilted border could represent the loving relationship between her and me. All I had to do was find some motifs to quilt. When I picked her up from school that day, she had drawn a picture with a painted border onto which she had drawn hearts and stars and spirals. It was a real twilight zone moment, but they were perfect.


This is the centre part close up to give you a better idea of it all.